Realism vs. Abstraction. A colorful exploration of the life and work of Gerhard Richter

Meet Gerhard Richter, the German artist who redefined painting. Between abstract works and photography-based paintings, Richter pushes the medium’s boundaries and reminds us of its urgency and importance in a world overwhelmed by digital images. This introduction to one of the greatest artists of our time explores his entire career.

An encounter with Gerhard Richter, the German artist who widened horizons in the relationship between painting and reality. From early photographic paintings, along with his famous RAF cycle, to late abstract paintings, experiencing Richter’s work always offers us the unexpected and unseen. Where he once set out to liberate the medium from ideological ballast, today, faced with the overwhelming presence of digital images, he shows us the unsurpassed impact and intensity of painting. A definitive introduction to one of the greatest artists of our time spanning not only his entire career, but also 50 years of cultural, economic, and political events.

The author:

Klaus Honnef was honorary professor of photography theory at the Kassel Art Academy. He was one of the organizers of documenta 5 and documenta 6 in Kassel, and has been the curator of more than 500 exhibitions in Germany and abroad. He has written numerous books, including TASCHEN’s Contemporary Art, Andy Warhol, and Pop Art.

About the series:

Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. 

Each book in TASCHEN’s Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Whenever Gerhard Richter goes to Sils (Switzerland), he always takes photographs, some of which he paints and adds to his Atlas . Others he considers independent works of art, and has included them in projects such as the exhibition "Nietzsche Hau in Sils". In his painted images, a photographed reality is combined with the effects of painting. In these painted photographs, the different levels of reality in the photography interact with others from the painting. The realism (as a photographic representation) and the abstraction (as a painting which is not figurative), show themselves to be redundant when the inherent categories of the created image dissolve into one.